In analyzing the obstacles to democratization in post- independence Africa, Mahmood Mamdani offers a bold, insightful account of colonialism’s legacy–a bifurcated power that mediated racial domination through tribally organized local authorities, reproducing racial identity in citizens and ethnic identity in subjects. Many writers have understood colonial rule as either “direct” (French) or “indirect” (British), with a third variant–apartheid–as exceptional. This benign terminology, Mamdani shows, masks the fact that these were actually variants of a despotism. While direct rule denied rights to subjects on racial grounds, indirect rule incorporated them into a “customary” mode of rule, with state-appointed Native Authorities defining custom. By tapping authoritarian possibilities in culture, and by giving culture an authoritarian bent, indirect rule (decentralized despotism) set the pace for Africa; the French followed suit by changing from direct to indirect administration, while apartheid emerged relatively later. Apartheid, Mamdani shows, was actually the generic form of the colonial state in Africa.
Song of Lawino is an epic poem written by Ugandan poet Okot p’Bitek. First published in 1966 in AcholiLuo, it was quickly translated into other languages, including English. Song of Lawino has become one of the most widely read literary works originating from Sub-Saharan Africa. It has also become culturally iconic within Africa, because of its scathing display of how African society was being destroyed by the colonization of Africa
African Series
African Series 